|
—Memorials of George Heath, The Moorland Poet - 1880 Edition— THE NEWLY PUBLISHED PORTION OF THE POEMS OF GEORGE HEATH. __________ THE INVALID POET
September o’er, the memoral hills had spread Their fan-like wings, and the wide expanse Smiled in luxury and opulence Of wide abundance, and undiminished charms.— A full-flushed matron in the prime of life, With will unbroken, and serene of brow, With spirit light, and flippant as a maid’s, With now and then a mood of soberness, As dreaming of the future and the past. The tinge of Autumn had not mellowed yet; The vision of the landscape, and red fruit Still hung amid the clustering foliage; The fields along the slopes are wreathed with corn; The rivulets were shadow-haunted still; The sunset, like a holy Holocaust, By myriad Nature offered to its God, With hands uplifted, and adoring eyes ’Neath ocean brows of lofty lustrous calm, Burned on the unhewn altar of the west, And peer above huge coils of flossy clouds Irradiate, with the all-pervading flame, Like coloured wreaths of incense curled on haze. The wrinkled hills, coeval with the sun, The ocean and the stars, serene as when Primeval forests sobbed around them, shone Intensely bright, transfigured in the glory. Long rafts of level lights stretched wide and far From height to height along the Penine hills; The valleys lay beneath them in a glow Of softer radiance, and above the sky Dozed in a calm of cherub slumberings; A little stir of humourous voiceless wind, Enough to set the brooks a-tittering, Involved the hills in trembling courtesings, And stately rows of wigged and powdered trees, And multiplied the thousand ripples on The aftermath, and pounced with gay caress On daises white, and shy-coquette of flowers That, giggling, lowered and dipped their pretty heads, As country maids when rifled of a kiss. Beside a cottage roofed with homely thatch, Beneath a canopy of sycamores;— A lordly row, that hung their shadow o’er Across a patch, where, in the dawn of Spring, A fairy family of snow-drops grew— A young man sat upon a mossy stone, Worn were his shoes and thread-bare were his robes; His puny limbs were thin and delicate; Upon the silence of his quiet brow A shadow hung, and ’neath the widening eyes The dark insignia of the sorrow-hand, That never comes but leaves a mournful trace Which no one may mistake, were charactered, Around the chastened lips, a sensitive Quick tremour ran, and ’neath the seedy vest A hungry heart beat with a quickened pace; But triumph on the brow sat sunning now. Tho’ tears were in the eyes—the thirsty eyes— That dwell upon the glory of the sunset, And thitherward the hands were tightly clasp’d; Within the soul a calm exultant swell— The consciousness of kinship with the grand, The lofty, the sublime of earth and heaven; The spirit glorying o’er the power, the grasp Of mind to feel and to appreciate The glorious amid the beautiful of God. And tears within the eyes—the shadow mist That ever haunts the Summer bright of earth, The weary droppings of despair o’er all The futile struggles to expand the thoughts That pant for utterance; the impulses, The mysteries of all we see and feel, But never, never, never may express. Anon the sun blaze sunk away and died, And while the gloaming faded on the hills, A change came o’er the form that sat amid The shading of the sycamore. The mind Came back from wandering in the nature world, And preyed upon itself; the yearning eyes Turned from the outer to the inner world; The tinkling sound of clogged and busy feet; The clink of pans and pails, commingled with The turning of a churn within the cot; The gabble of the fowls, while fluttering Away to roost; the herd-boy’s shout; the sound Of lowing kine, returning udder-eased With empty duds, to dance the fields again. The distant rumble of the homeward wain, And all the hundred sounds of country life, Rose with a chastened harmony upon The lazy air, and played upon the ear, And lightly touched his senses, but awoke No perturbation, check, or dissonance Within the mind: they were so usual: And it, accustomed to their atmosphere, Had grown impregnable: they had stripped off Their individuality, and become An element of silence; or more like A soft accompaniment unto a song. There while the glory sank and died; he dreamed:— “A laden packman on the road at night Pauses upon the summit of a hill, And drops his load, and seats himself thereon, And doffs his hat, and wipes his streaming brow, And gazes back far down the dusty road:— Afar the city nestles in the vale; The flashing lights are moving everywhere, And double rows of lamps, like tiny stars, Run blinking here and there; and dreamily The vision traces, long and listening, The avenue of lights through which he came. And nearer still, the dusky solemn trees And blocks of cottages that rise Dimseen, and mark the nearer torturous road— And to his ear comes floating mellowly, The mazy hum of many broken sounds From the far city, inarticulate; No sounds defined—mixed—softened down Into an indistinguishable, low Dull monotone.” I, like that traveller, Pause on the rugged way, beneath the night, And lower my load, and panting, gaze far back And see the visions that I had before, And mark them dusked and dimly; as appear Far distant objects in a morning fog; And hear soft shreds of sounds, all twin’d among, But soft and beautiful, as some low strain Waked from an organ in the twilight time By fingers giving scope to spirit dreams Within some vast, dimed, caverned emptyness Whose every cavity gives back its voice. How like a floating picture in a dream That little cottage, where my memory First caught a weak impression, seems. The low Long sunset light lies on it like a crown. The cottage nest, whose low and broad’ning eaves A man might almost reach with stretching up, With battered chimney pot obliquely perched Upon the gable, and a tutored plum Stretching above the roof for higher hold; The doorway and the tiny avenue O’er arched with tangled lobs of damson trees; The home-made patch; the long and narrow lane; The gossiping streamlet straggling by its side; The variegated holly in the corner Of the wee garden plot, where oft we lay, Perdu, or played at cows with coloured shreds— The flower-strewn, heart-shaped croft that lay below Beneath the shadows of tremendous trees; The miry ditch behind, upon whose bank The snowdrops come and then the primroses; The old gray Sunday-school, where the kind hand Of him whose goodness through the many years Has been my blessing, first conducted me. These, with a thousand other features, rise Before me, vaguely glimmering in the far Dim mellowed mistiness. Then comes the change. The scenes rise up distinctly, nearer, fixed In strange rays of light: a long, tall, gaunt, And barefaced cottage, whitewashed outwardly, A thin stark yew shoots up the front; Besides the door within the palisades Behind, a nook of garden, nestling warm Within a strong, high range of wall, or topped With lolling rhododendrons, lilacs grey, And long, lean slangs of ponds, o’ershadowed with Dark clumps of hollies, running two above And one below, besides an old bent road, And everywhere are undulating slopes, And belts of coppices, and meadow slips, And pleasant lanes, and little serpent paths, And humps of hills with face full of change— These form a dingle, fixed for a time Within my vision, changing constantly, In light and hue, but featured still the same While the wild panorama of the years— The season’s bannered dance; the stately face Of queenly day; the night’s stupendous march, Sublime with nature’s wonder-painting dews, And hoary frosts and snows, and biting storms: The rush and roar of winds; the tempest’s surge; The many shaped and many lustred clouds; The thunder’s awful talking, and the glimpse Of lightnings issuing in forked shafts From the black eaves of clouds; the calms, The hushings, wastings, and the whisperings; The glamours of great sunsets, and the wide Unequalled splendours of the dawn. The awe And erieness of spirit haunted twilight; The floods of sunlight on the leys and lawns; The marvellous night-shade weirdly alloyment; With breathings of the many-languaged stars, And all the manifold sublimity Of the wide universe, grew on my soul. A scene of wonderment and awfulness, That filled my thought with silentness before The unfathomable majesty, and wide And vast stupendousness of visible things, A feeling, or a reverence, or an awe Dropped on my spirit, and my lips were dumb, I wandered underneath all moods of skies, And haunted nature in her every phrase, And stood beneath the doming of the night When o’er the orient the queen of heaven Lay calm amid a sea of waveless film, And all the vast still roof of blue, the white Unnumbered multitude of panting stars Intensely throbbed; while mute around the earth Lay slumbering, and trouble, pain and toil, Grown dumb, bent o’er their wounds and died. And up the vales the mists rose spectrally, And on the hills the moon’s magnificence In webs of frosted silver, scattered lay. I flung myself upon the earth and kissed The hoary dews, and turned my face above And watched the meteors gliding to and fro And marked the shooting stars slip from their hold, And glide with sheeny tails athwart the abyss, And suddenly fade out and disappear. And there I lay, and shuddering, deemed that these Were worn out worlds whose sands of time had run, Whom God had summoned to the judgment bar. Unutterable thoughts rose on my soul.
__________ The above terminates the poem to which the author has given the name of “Invalid Poet.” The short life of affliction of George Heath, did not allow him to complete the undertaking, and consequently, like several of his other poems, it unfortunately remains a fragment. Amongst his manuscripts, however, are found lengthy passages which were evidently intended for the “Invalid Poet,” with intervening suggestions for further poetic manipulation. These passages, in the order in which they appear, afford a good conception of what the poem if it had been finished, was designed to be, and as they comprise some of the finest thoughts he has anywhere penned, and indicate the opening of a fresh and much richer poetic vein, it would be doing an injustice alike to his memory and the public to withhold them from publication.
__________ (Next Page - Fragments) (Contents) |
|