ROBERT WILLIAMS BUCHANAN (1841 - 1901) |
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{The Wandering Jew 1893}
“IS CHRISTIANITY PLAYED OUT?” THE WANDERING JEW CONTROVERSY
Richard Le Gallienne’s review of The Wandering Jew in The Daily Chronicle on 11th. January, 1893, sparked a debate in that paper which lasted until the end of the month. It also spilled out into the pages of The Echo and was made the subject of sermons in several churches. The material on the following pages comes courtesy of the Liverpool Record Office, which has preserved the cuttings as part of its Richard Le Gallienne archive. I’m grateful to Margaret Daley of the Liverpool Record Office for providing me with photocopies of the cuttings. However, I should point out that the final part of Richard Le Gallienne’s review is missing from the collection, and there are a couple of occasions when the copy is too dark to read and my ‘best guess’ is rendered in a different colour. As for the choice of what to include and what to omit, this, too, was sometimes the result of what was readable. All the contributions of Robert Buchanan and Richard Le Gallienne are included, along with most of the contributions from the more famous (at least at the time) correspondents. Where the latter have some kind of ‘web-presence’ I have included links. Other names can be ‘googled’ to find the odd trace that remains. The material in the following pages can be downloaded as a zipped .rtf file. The controversy was also reported in other newspapers and, rather than insert these items into the material from the Liverpool Record Office, I have added a page of Additional Material. _____
Liverpool Record Office: Richard Le Gallienne Papers. Catalogue Ref. 920 LEG. _____
The Daily Chronicle, London. 1. Richard Le Gallienne’s review.
A VERY QUEER CAROL. “The Wandering Jew: a Christmas Carol.” Mr. Robert Buchanan has played many parts. He is a very successful playwright, with town house and country house, and we believe he is in the enjoyment of a literary pension from the Government; he is the “Thomas Maitland” who made such a ferocious onslaught on “The Fleshly School of Poetry;” and he is himself a poet who has drawn many of his themes from such unspiritual quarters as the gutter and the felon’s cell—in fact, he was once attacked for this double qualification in language far too vigorous for us to repeat, for the very excellent reason that the previous editor who published it was cast in damages of £150; and he is the “Caliban” who once made a sensation by a poetical contribution to the Spectator in which the band of his contemporary poets were handled with great license of language, and yet he brings an action for libel when a controversialist of his own perfervid temperament slightly outruns discretion in his epithets. But of all the parts he has played—with varying and sometimes with great success—novelist, playwright, poet, pamphleteer, and polemist, perhaps the strangest of all is the one in which he makes this latest appearance—the singer of a Christmas carol, and the apologist, or the interpreter, or the critic, or the celebrant (for we cannot be quite sure which it is) of Christ. With many faults the poem is a powerful and picturesque piece of versification, and as the book is distinctly one to read, the reader must judge of this vital question for himself. Come, Faith, with eyes of patient heavenward gaze! The poet describes himself as wandering “on that night which ushereth in Christ’s day,” in the bleak and snow-covered streets of the great city. I mark’d the long streets empty to the sky, Suddenly he became aware of the presence of a very old man “in antique raiment, and around his waist a rotting rope was loosely bound,” who slipped into his hand a hand “dank as the drownèd dead’s.” Shivering he stood there, Strangely on me his eyes of sorrow fell, After further light falls upon him, however, in various visions, he recognises the Wandering Jew not to be the old Kartaphilos of one legend, or Ahasuerus the cobbler of the other, but the Man who came once long ago, in whose eyes were “the passion and the peace of Paradise.” For lo, at last I knew Then—of course this is but a crude epitome of the course of Mr. Buchanan’s Carol—arise the Spirit of Man and his Acolyte, Death, who sit in judgment upon the ever-wandering Christ, charging him with having destroyed the old pleasures and the old hopes and the old simple days, and, above all, the primal comfort of death, and of having replaced them by “the poison of a Dream that slays repose”— So that the Master of the World, ev’n Death, And their charges are preferred with a frankness and vigour which we feel sure will form very uncomfortable reading for many whose notions of a Christmas carol are the conventional ones. This Jew hath made the Earth that once was glad Having concluded the charge, they call their witnesses, and an almost endless stream of the phantom victims of Christianity testify of their undoing. Here is a specimen of the accusers’ account of the rise of the new faith:— Now, mark the issue. Where this rumour spread, And here is another, which will be read with interest in Belfast:— Pass on. From land to land the tidings flew Judas Iscariot, who explains that he betrayed Christ in order to see Him “put forth His power and Vanquish Death,” is the first, and there follow him Ahasuerus the real Wandering Jew, Pilate, the “lewd and infamous” Roman Emperors who persecuted, especially Nero, then Julian, Hypatia— Stript naked to the skin and bruised with blows, Mahomet, Buddha, Galileo, Columbus, Voltaire, the Jews, all the Martyrs and dead soldiers of the Church, and many others, each preferring his charge. This is the finest part of the poem as a poem; as we have said, it is powerful and picturesque in a high degree. Then at last Christ replies. He is weary and “has no word to answer.” The winter of mine age hath come, and lo! He is asked to produce His witnesses in turn. And Jesus made reply: But the witnesses do come—”Countless as desert sands,” and at length Christ denounces His accusers and mankind that have denied Him— Woe to ye all! and endless Woe to Me, I labour’d and I labour, last and first, But Christ is condemned by his accusers to wander homeless through the Universe, ever bearing His Cross. Such is the explanation of the figure the poet saw in the streets of the great city on Christmas night, and this is the conclusion of the whole matter:— And lo! while all men come and pass away, God help the Christ, that Christ may help us all! The spirit of the poem is reverential beyond possibility of reproach, but it is a very queer carol all the same, and different readers will put different interpretations upon it. And while my heart shut sharp in sudden dread and the poem abounds with trifling plagiarisms—no doubt quite unconscious to the author, but none the less distracting to the reader on that account.
[Note: _____
The Daily Chronicle. 1. Robert Buchanan’s reply.
“A VERY QUEER CAROL.” THE EDITOR OF THE DAILY CHRONICLE. SIR,—Many thanks for your kindly criticism of my “Wandering Jew.” It is, as you say, a “queer Carol,” but then, life itself is very queer, and among the queerest phenomena of life is literature. Had you spent the whole of your space in fault-finding, I should still have been grateful to you for admitting that the spirit of the thing is absolutely “reverential”; and I will make bold to add that neither you nor any other reader will ever escape from the memory of the Christ whom I have painted—the patient, long-suffering, ever-misunderstood, eternally-condemned, and outcast Christ of the Nineteenth Century. I have simply expressed in a pathetic image what thousands of living men now see and feel, and what, as I have said, they can never forget. ROBERT BUCHANAN. N.B.—I have not said a word about your reference to the follies of my youth. Et ego in Bohemiâ fui! And I too was once a critic! But you might have added that after treading violently on the gentleman’s corns I “apologised.”—R. B. Merkland, 25, Maresfield-gardens, _____
The Daily Chronicle. 1. Richard Le Gallienne’s reply to Robert Buchanan’s letter.
MR. BUCHANAN’S “WANDERING JEW.” THE EDITOR OF THE DAILY CHRONICLE. SIR,—What does Mr. Buchanan mean by saying in his letter to you yesterday concerning his “Wandering Jew”: “As to the literary quality of the poem, I am indifferent. I have no respect whatever for mere art or mere literature.” However “queer” a carol his poem may be, it is certainly nothing like so queer as this remarkable deliverance. A professing poet and literary artist standing up to declare that he doesn’t care a rush for that which alone is his raison d’être—alone too, as Herrick would say, “his hope and his pyramides.” A man still desirous of existence might as well say, “To mere life I am utterly indifferent.” It would be just as sensible as Mr. Buchanan’s indifference to “mere literature,” which, indeed, justifies his other remark that “among the queerest phenomena of life is literature.” Such dicta make it very queer indeed. What does it amount to? Simply that a man desirous of producing certain results in a certain medium will at the same time disregard the conditions of that medium; that the man desirous of life will deliberately ignore the means by which alone he may live. Thus he takes no food, for instance, and dying, obviously misses his aim. Similarly the poet takes no pains to create and fortify by the only means possible to poetry the conception he is anxious to present, and, of course, the result both to him (as poet) and his conception is certain death. What is the old saying—’Tis the bad workman who complains of his tools. But what shall be said of the workman who would still be working and yet deliberately throws his tools away? RICHARD LE GALLIENNE _____
The Daily Chronicle. 1. Robert Buchanan’s second letter.
“IS CHRISTIANITY PLAYED OUT?” THE EDITOR OF THE DAILY CHRONICLE. SIR,—When I published the statement that I had little or no regard for “mere art or mere literature,” I was quite aware that I was recklessly poking a stick into a hornets’ nest of literary critics; for the day is long past when I expected the mob of gentlemen who protect our fine and crusted literary shams to understand plain English. Mr. Richard Le Gallienne, I observe, now comes forward to reproach me, tearfully and pathetically, for despising the art by which I live, since, as he truthfully though somewhat irrelevantly observes, “Literature is literature,” with or without the “mere.” Yes, sir; and twaddle is twaddle, under any circumstances. Before I attempt to justify my words, which only a literary person could misunderstand, let me correct Mr. Le Gallienne on a minor point. So far from having been conceived or written hurriedly, so far from having been flung at the public without such care and thought as every serious work imperatively demands, “The Wandering Jew” was begun and partly written twenty years ago, has been revised and turned over, weighed and sifted times without number, and has only been kept back because I hesitated to commit myself finally to the expression of religious conviction which it contains. Mr. Le Gallienne is quite within his right in saying that it is badly written and unworthy of its subject; he travels far beyond his right when he charges me with indifference to the quality of my own work. The labour of a serious writer who knows what he wishes to express, and chooses the form of expression after years of deliberation, surely compares favourably with the labour of the critic who receives a book on Monday, gobbles it up on Tuesday, and then rushes into print to inform the public (as this gentleman does elsewhere, for critics are many fingered!) that it was written on club paper and finished in a hansom cab. ROBERT BUCHANAN. _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—I always feel a certain moral compunction in addressing Mr. Le Gallienne. I figure myself as a repentant Littimer, constrained to murmur, “You are young—very young”—but all along with the remorseful consciousness that youth and innocence have the best of it. Ce cher poète! How delightful it is to see him trampling on Mr. Buchanan’s blasphemies, and assuring us that all is well—or quite well enough—save in some ill-conditioned corner of the big nursery, where the naughty children have got weary of their old playthings, and are breaking them up for a bonfire. Christianity—”essential Christianity,” whatever that may be—says Mr. Le Gallienne, is as powerful as ever. Christ, instead of being the outcast phantom of Mr. Buchanan’s poem, has only got to come down again to His conquered world to find it acclaim Him King of all men’s hearts. That I gather is Mr. Le Gallienne’s simple creed. But how many people hold it? Not Lowell, by no means an over-heated observer of life, when he pictured Christ finding His modern image in the oppressed working man. Not Shelley, Byron, Ruskin, Carlyle, Clough, and Arnold, the most characteristic poets and critics of modern English intellectual life. Tolstoi and Ibsen condemn modern life absolutely, one of them from the mystical Christian standpoint, the other as the free man of genius, contemptuous of the forms of social life which the smaller critic accepts without studying their value. M. _____
The Daily Chronicle. 1. Robert Buchanan’s third letter.
IS CHRISTIANITY PLAYED OUT? THE EDITOR OF THE DAILY CHRONICLE. SIR,—My poem, “The Wandering Jew,” was written to picture, not the nebulous Christ “which is to be,” but the living Christ which is: the Divine Anarchist, the revolutionary Dreamer, the Man who was martyred once, and who is eternally martyred, by His own failure to realise the necessities, the conditions, and the laws of average human nature. He is with us, He is alive, saying, as I have made Him say— Woe to you all, and endless Woe to Me, His mission has failed. No ingenuities of explanation, no juggling with eternal truths can make us believe that He has “essentially” succeeded. His cry to the universe now is, “Let me sleep! Men were not worth saving!” Terrible and awful utterance of a great heart broken! And wherein, then, remains the eternal claim of this Man; the very genius of failure, on the tenderness of humanity? In His humility, His sorrow, His human limitations, His very failure and despair. Do not a thousand hearts cry out to Him, with the Magdalen— Not for thy glory did I hold thee dear, For this, be sure, is the pathos and the pity of it all: He was a man even as we are men, and He dreamed the same dream. His words have comforted millions of aching hearts, but Christianity, the creed built up in His name, has saved no living soul. ROBERT BUCHANAN. _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—The controversy started in your columns by Mr. Buchanan and Mr. Le Gallienne interests me far more deeply than Caprivi’s speech, the Panama scandal, or the Home Rule Bill. Let me begin what I have to say by asking the disputants what they mean by Christianity. This great word, like Socialism or Democracy, is a very complex term, and may connote a variety of things. Into the formation of Christianity have entered not only the deep, simple, yet comprehensive faith of Christ, but the stern, lofty Theism of the Hebrew religion, the Greek philosophy, the Roman juristic conceptions, and the reliquæ of Pagan systems; and at different periods in the history of Christendom one or other of these elements has been in the ascendant. Augustine—e.g., starting from divine sovereignty, gave to Christianity a forensic twist; Luther took up the Pauline doctrine of grace; while in out-of-the-way Italian villages you find to-day feelings and ideas in essence Pagan tricked out in Christian forms. The question, What is Christianity? must then first be considered. If Christianity means a certain body of miraculously revealed dogmas about the nature of God and the future of man, I think there can be little doubt that it is rapidly declining, that it exercises little influence on the modern man who repairs to church in tall silk hat and irreproachable clothes on Sunday to repeat words that have for him scarcely any meaning, as his conduct during the rest of the week shows. For while I utterly deny that Christ was a merely “moral” teacher, whose object was to give “rules of conduct,” yet those who enter into his ideas do insensibly find their conduct affected thereby. If Christianity means a Church system, it seems to me it is also doomed. I have a very wide range of acquaintance among intellectual men in London; yet I could not name three of them who ever enter a church from January to December, much less take any part in its sacraments. And we all know that much the same is the case in the great cities of Christendom. From this point of view, then, Christianity is not what it was. I failed: I gazed on power till I grew blind! But as Browning saw the disease, he also saw the remedy; as he discerned the false view of man, he also saw the true:— Love, hope, fear, faith—these make humanity, The merely scientific and naturalistic view of man leads to a spiritual cul de sac. There is no hope, no joy, no consolation for mankind that way. For man is not, as the scientists make him, a cunningly-contrived mechanism. As Alfred Russel Wallace asserts in his “Darwinism,” natural evolution cannot explain man. No; man is a living soul, as the poets and religious geniuses of all climes and ages have believed. And I think it not irrational to suppose that, out of the present medley, we may be guided by a new, vital, all-powerful presentation of this spiritual conception of man. Wagner has indeed done it in some measure in music, Browning in poetry. Scientific men and the “cultured” society people are mere Philistines; but the finer minds of the world have given up materialism and demand that physical science shall keep its proper place, where it is deserving of all praise, but that it shall not control our thought in higher regions. Let there be no mistake. If man be the sort of creature that mere physical science represents him as being, then inevitably a materialistic civilisation based on money is the result. But if Christ’s idea is right—that a man may gain the whole world and lose himself—then our present society is doomed. And I claim for those who are working, whether in social reform, literature, art, for the coming change, that they are “fellow-workers with Christ”; while those who stick to their beastly mammon-worship, whether they are atheists or occupants of the episcopal bench, are the enemies of whom Christ says, “Depart from me; I never knew you.”—I am, &c., INQUIRER. _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—Mr. Buchanan wears such thick boots that it is hard to argue with him, and Mr. Le Gallienne’s terms are so impalpable that it is equally hard to pin him; but perhaps a few theses may be useful to these febrile combatants if taken as a kind of sedative powder. CHARLES L. MARSON. _____
The Daily Chronicle. 1. Richard Le Gallienne’s second letter.
IS CHRISTIANITY PLAYED OUT? THE EDITOR OF THE DAILY CHRONICLE. SIR,—What can be said to a critic who puts “The Epic of Hades” and “Lucile” in the same category as “The Faerie Queen” and “Paradise Regained”! I am sure I never dreamed of saying that the first two were either literature, or even “mere literature.” I wouldn’t say it if you put me to the torture. And to say that “The Faerie Queen” and “Paradise Regained” are “examples of the form of poetry without its living soul.” O day and night, but this is wondrous strange! Test the point even on the weaker couple, “The Idylls of the King” (which it has become a mere cant to disparage) and “The Essay on Man.” In Tennyson’s poem I find many a stirring line to inspire to true manhood; in Pope I find the very lines, if duly assimilated, to settle the whole of the big question that heads this column:— All Nature is but Art, unknown to thee; Gnomic, certainly. Pope didn’t realise it himself! Very Likely. But would he thus be the only person who builded better than he knew? For me, at least, there is “soul” enough in those lines to make “The Wandering Jew,” as Mr. Swinburne would say, “to kick the beam and vanish.” The name of God and all that kind of thing, but priests and merely “professing Christians” are irrelevant. The question at issue is at last, one is glad to say, to be fought out in a much narrower pass. Priests and “professing Christians” may still be discussed along with the Trinity and the plenary inspiration of the Bible at preparatory secularist meetings; it is well they should, and I agree with “M.” that the Secularists have done splendid work in so discussing them. But they are only skirmishing grounds; the heat of the battle has long since passed elsewhere. The priest and the mere professing believer are the phenomena of all religions; they explain each other as cause and effect; to the prophet and the true believer they are not even step-brothers. They represent the spirit of compromise in all lands. They materialise all they touch; the mere mechanical imitators of great minds, they have discredited Christianity as they discredited Buddhism. Praise indeed be to the Secularists who have discredited them. But the Secularist mistook his mission when he proceeded to discredit the message of which the priests are the unworthy oracles. For that the Secularist’s one great weapon, reason, is inadequate. In criticising the fundamental elements of Christianity reason goes beyond its depth. In criticising its historical, ecclesiastical, credentials alone is it within its province. Actually, it cannot even discredit the miracles of Christ. Asked what in Christianity I regard as “essential” I reply: The belief in the beneficence of the Power who made us, in the spiritual significance and ultimate blessedness of existence, and the life for others—(no anchorite, self-maceration, but a healthy subjection of self.) Reason cannot disprove any of these propositions; but, curiously enough, while denying the first two, the Secularist has adopted the most transcendental of all three, the life for others, without a murmur. And yet it is harder to prove why we should live for others than to prove the Trinity. It is round this most vital question that the modern armies of faith and doubt are closing for the final struggle. RICHARD LE GALLIENNE _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—May I point out to Mr. Buchanan that several passages in his letter which appears to-day are not merely erroneous opinions, but clearly contrary to easily verifiable facts? For instance, he says of Christ that “He recommended a policy of complete quiescence and stagnation.” Than this assertion nothing could be less true; there is no plainer teaching in the Gospels than this, that His followers must use their utmost energies in living and propagating the Christ-life. Again, Mr. Buchanan writes: “He affirmed that heaven was here impossible, because man was imperfect.” Such an affirmation (whatever Mr. Buchanan may mean by it) could have had no reasonable place in Christ’s teaching, and I do not know that this affirmation is, even constructively, anywhere to be found in the New Testament. Again, we are informed, “He forgot that the Divine kingdom, if it is to exist at all, must begin where God first localised it—on this planet.” If Mr. Buchanan will read carefully and without prejudice, he will, I believe, find that what he has here stated is actively and absolutely contradicted throughout the New Testament. J. C. KENWORTHY _____
The Daily Chronicle. 1. Robert Buchanan’s fourth letter.
IS CHRISTIANITY PLAYED OUT? THE EDITOR OF THE DAILY CHRONICLE. SIR,—I am glad, for the sake of our high argument, that Mr. Le Gallienne has at last given us an instance of what he means by Literature. He has chosen, for that purpose, the supremest example in our language of that “mere literature” which the adult world, having emerged from the period of infantile lactation, knows to be mere Twaddle. I must re-quote the lines so characteristic of the querulous mannikin in poetic swaddling-clothes who wrote them, and so thrilling to the pinchbeck age of Pope and my Lord Bolingbroke:— All Nature is but Art, unknown to thee; And in these lines, in these copy-book texts, in this spinning of a literary “teetotum,” Mr. Le Gallienne discovers “soul,” discovers “poetry”! They would even, he avers, make the “Wandering Jew” “kick the beam.” Possibly; but they would make many people, both Jew and Christian, long to “kick” the author. ROBERT BUCHANAN. _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—I have not yet had the pleasure of reading Mr. Robert Buchanan’s “Wandering Jew,” and must, therefore, meanwhile content myself with his own statement of its import in Monday’s Daily Chronicle. J. MORRISON DAVIDSON. _____
THE EDITOR OF THE DAILY CHRONICLE. SIR,—Mr. Buchanan’s pungent letter of the 14th inst. will, I am sure, be read by your numerous readers with a high appreciation of its literary merit. Possibly some may be carried away by its flood of eloquence as a frail vessel beyond control is borne towards the Niagara Falls. But with all respect to the writer, and with deep regard for the well-being of Christian (?) England, I venture to ask a few questions on this deeply important subject:— 1. Is not Christianity played in rather than out? Obviously Christianity is not effete. Neither is it played out in the world. No, Sir, it is played in idolatrous ecclesiastical playhouses. I humbly submit that Mr. Buchanan’s position is a proof in itself of that essential Christianity which has provided him with a standard of moral perception by which he pronounces judgment on wrong-doing. The moral law says, “Thou shalt not steal.” Will anyone assert because so many of us are thieves that that law is “played out”? The Gospel says, “Seek first the kingdom of God and his righteousness,” and because so many of us do not thus seek, is the Gospel played out? Mr. Buchanan knows it is not.—Yours faithfully, A LITTLE MINISTER _____
“Is Christianity Played Out?” - The Wandering Jew Controversy continued
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