ROBERT WILLIAMS BUCHANAN (1841 - 1901) |
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{The Coming Terror 1891}
183 _____ 185
IS CHIVALRY STILL POSSIBLE?
To the Editor of the 'Daily Telegraph.' SIR, —* The preceding article.— 186 Mr. Browning, and that I have at this moment before me a letter from that gentleman describing me as ‘the kindest critic he ever had.’ In short, I hold him to be a poor critic indeed, or no critic at all, who reserves all his idolatry for the gods of the past, and can find no divinities, literary or artistic, in the present. This, however, is merely by the way. The matter which moves me to write this letter is of far higher importance than any of my personal sympathies or antipathies—of far more burning consequence than any subject merely ‘literary.’ I have touched upon it currente calamo in the paper you have criticised so sympathetically. I am anxious to touch upon it again, with your permission. ROBERT BUCHANAN.
[The preceding letter elicited a long and characteristic letter from Mrs. Lynn Lynton, from which I quote as follows:] ‘Can anyone explain how it is that, when people discuss the Woman Question in any of its phases, they lose sight of proportion and take their leave of common-sense? The Idealists seem to hold women as altogether of a different race from men; not only different in degree, but different in kind; not only told off by Nature for certain special functions, whereby are emphasized certain common qualities, but as possessing intentions, faculties, characteristics with which men have nothing to do. To these Idealists women, quâ women, are semi-divine, where men are more than half bestial. The sex is sacred, and to be a woman is to be ex officio consecrated. To the Cynics, on the other hand, to be a woman is to be the source of all the evil in the world—where each daughter of Eve repeats her mother’s folly and transgression, 191 and where men are but the puppets whom she makes dance at her pleasure. Mr. Buchanan offers himself as an Idealist, and talks sentimental bunkum with splendid literary power. . . . Where has woman deteriorated? Why, even the poor Abominables are less degraded than of olden times; and the modern danger with respect to them is not of their oppression, but of their being treated with undue partiality—so that the good of the community is less considered than their unchecked individuality. As for the Chivalry of which so much nonsense is talked and so little true knowledge is afloat—well, it may stand as a sign, like any other algebraic symbol. We need these signs and symbols in life—words which evoke ideas, no matter whether the root be real or not. The past of Chivalry was a very different thing from this all-embracing, all-suggestive, this verbal symbol for an impossible ideal. . . . Chivalry died because it became corrupt, affected, and unreal. The true hold that women had then on the respect and love of men was to be found in the bower and the hall—the house, where women reign, and where alone they ought to reign. Men came from the heat and passion of the strife to the rest and peace, the wholesome purity and order, of the house. Women were their solace, ministering to their needs, soothing their weariness, healing their wounds.The clash and din of battle were exchanged for the music of the bower, the peaceful 192 revelry of the hall. Thus it came about that in those rough fighting times women were indeed, in a sense, sacred; that the house was, as it were, their temple; and that, alternating as they did with the rude life without the castle walls, they were idealized and reverenced by the men who died to protect them. How this spirit will survive the modern acceptance of warfare as part of woman’s life remains to be seen. We have no longer harryings and raids, burning of homesteads, and lifting of cattle, but we have, instead, party cries and political passions; and when these have invaded the home, and women are fighters with their men and against their men, it is to be feared the fabric of society as at present constituted will fall to pieces, to be built up again on a different—but a better?—plan. —* Most absolutely. By the existing moral codes, they degrade them. Corruption begins in the household, and spreads thence into the street.—R. B.— 193 of society, women suffer, and must suffer. . . . The Magdalen is a very beautiful theme for art and poetry, but the poor drunken flaunting Professionals are stern facts—the results of poverty and passion combined—and white kid gloves are as much out of place when dealing with them as either art or poetry. Let that pass. Women have inflicted the deadliest wrong on their generation in connection with their unhappy sisters, but in a very different sense from that deprecated by Mr. Buchanan; and I repeat it—the present danger is not in over-severity, but in over-petting and sentimentality, in maudlin pity and unjust partiality. If, as Mr. Buchanan says, men are the causes of all the misery of the world, and cherchez l’Homme ought to take the place of the familiar cherchez la Femme, are not men the direct and absolute creation of woman? Built up day by day out of the very substance of her body, do they not also receive their first ineffaceable mental impressions from her? As mothers, have not women unchecked power—absolute authority? How foolish it is to differentiate the sexes on one ground only, and to judge of men and women simply on the platform of unlawful love! For that is what the whole thing comes to. The wholesome orderliness of marriage, the dignity of the home and family, the domestic influence of women—all this is ignored; and the wife and mother, mistress of her house and shaper of her children’s minds and characters; is 194 forgotten for the sake of the poor Abominable whom Mr. Buchanan wants us to idealize as the Magdalen! But, indeed, all this clamour about woman, whether as ideals, as subjects for ‘dissection,’ or as very pitiful realities, is in itself destructive of the virtues which should be specially theirs before all of that modesty which was the very core of her chivalrous ideal. And why all this fatal incense of flattery? Smaller than men, with weaker animal instincts and weaker heroic virtues, why should they be worshipped as superior beings, too good for life as we have it? If men are to worship us, what are we to reverence? Ourselves—like the Buddha on the lotus-leaf? Some already do, not to the edification of the race at large; while those who still frankly and womanfully acknowledge their natural leaders in men are treated as traitresses to the divine cause. . . . E. LYNN LINTON.
To the Editor of the ‘Daily Telegraph.’ SIR, ‘Without whom Whatever sullies her, whatever degrades her to a lower level of thought and action, injures and hampers man’s own progress upwards. I am now, of course, talking of the Ideal, not always, yet very often, realized in contemporary experience. Unhappy, however, is that man who has never realized such an Ideal at all; who, after base moments of the strenuous sense, after misconception and moral backsliding, after the blows and buffets of the world, after all the efforts of his reason to solve the ever-present Mystery, has not been comforted and 198 strengthened by the faith and insight, the pure benediction of a woman’s belief and love. The free-and-easy scientists, the patterers about ‘heredity,’ ‘development of species,’ ‘laws of nature,’ ‘moral dynamics,’ resolve the difference between the sexes into a mere little matter of physiology. Just so; a little matter which, according to some physiologists, gives Woman a second and supplementary brain, or, according to sentimentalists, gives her a clearer spiritual vision, the lens of a finer-seeing soul. The votaries of Chivalry, the preachers of sentimental bunkum, find in the Ewigweibliche an abiding temple; on its threshhold, kneeling prone, the Magdalen; in its inmost shrine, typical and supremely spiritual, the Madonna. I am, etc.,
[To the foregoing Mrs. Linton replied as follows:] Mr. Buchanan calls my letter ‘characteristic.’ I accept the term as meaning that in this, as in other matters, I have kept my head cool and level in the midst of the heated and sickly wave of sentimentality with which we are flooded for the moment—let us hope only for the moment! And 200 in this special part of the great, rampant, noisy Woman Question, I trust that it is characteristic in me to remember what the idealizers of street-walkers do not, that we have our virtuous young to care for even more than their poor erring sisters, and that any class movement which weakens the joints of national virtue is an evil to be fought against by all who regard the general good. I am, etc.,
[Like some ladies when they argue, Mrs. Linton would not see the point. I charged men with being the chief factors in the debasement of women, and she retorted that prostitutes must not be idealized, and that we must keep our women pure! etc.
To the Editor of the ‘Daily Telegraph.’ SIR, I am, etc.,
To the Editor of the ‘Daily Telegraph.’ SIR, ‘When Bishop Berkeley said there was no matter, and there is nothing that Metaphysics cannot establish, when we once grant its premisses. I spoke of Pessimism and Pessimists as they emerge in Literature, I spoke more particularly of Pessimistic Realism. Your correspondent’s contention appears to be that the phenomenon to which I alluded is merely a familiar one, certain to emerge from time to time, and equally certain to disappear. To support this contention, he asserts, truly enough, that a certain class of men have always been cynical and unchivalrous, just as the majority of men have always been impure. Lovelace and his friends, he says, talked much the same banalities as the modern young men about town. Quite true. But 213 just then, in the person of the inspired little printer, in some respects the sanest and wisest soul of his generation, rose the Knight- errant of Literary Chivalry. It is the custom, as we all know, to sneer at Richardson. While the warm weak heart of Fielding awakens love, Richardson’s piercing intellect almost repels it. Women, however, who are supposed to have no logic, recognised the great Logician of Morality, and cried, ‘This man is our champion! This man understands us— justifies us!’ In the story of Clarissa Harlowe—tedious, monotonous, straggling, bourgeois—the great tradition of Literary Chivalry was carried on, and the world had the spectacle of a Chaste Soul, reaching its fulness at that moment when the martyred girl, with the libertine maundering at her feet and offering to make her ‘an honest woman’ by marriage, turned quietly and proudly away, and passed through the portals of the tomb. Almost any English author, from that moment to this, would have satisfied himself and his readers by bringing down the curtain on the happy union of Miss Harlowe and the tamed, repentant Lovelace. Good, honest, virile Fielding would have done it, and chuckled over it. Richardson, far wiser, knew that, horrible as is the outrage of the body, still more horrible may be the outrage of the Soul; that for a Soul once violated, once disenchanted, there is no possible human reparation; that for Woman cast from her sphere of purity, bereft of 214 her faith in Humanity, the only hope lies beyond the shades of Death! ‘Instead of Greece, whose lewd arts poisoned Rome, and the educated girl who discovers that she has been brought up in a dead Faith, and turns her early accomplishment to use in the secret study of detrimental French novelists, soon loses the hallucinations which kept her pure.She, too, discovers that Divine sanctions are no longer needed. She, too, finds that Pessimism is the only creed thoroughly alive. Her father, possibly, is either an open sceptic or a person who still accepts 219 religion because it is ‘respectable.’ Her brothers, perhaps, are young men about town, from whom she soon learns the argot of fast life. It is a horrible thing to say in this connection, but I have known many instances of pure young girls whose minds first became polluted through the conversation of their own brothers. I am, etc.,
NOTE ON THE PRECEDING.—My question, ‘Is Chivalry still possible?’ elicited, in addition to the letters of Mrs. Linton, a vast amount of correspondence, occupying the columns of the Daily Telegraph for some weeks. As usual, the discussion ended on the level to which all high things 222 fall in this country—that of the comic paper; and there the question arrived at its reductio ad absurdum, whether men who travelled in omnibuses were still sufficiently chivalrous to get outside to oblige a lady? As a matter of fact, however, it was found impossible, in the columns of a daily journal, to touch the quick of the matter, which chiefly concerned Prostitution, classed by me with War, as one of the two hideous Sphynxes of modern civilization. _____ 225 _____ 227
IMPERIAL COCKNEYDOM. A REJOINDER TO CRITICS.
FOR an article by the writer who still lives, I am glad to find, to subscribe himself ‘A. K. H. B.,’ ‘On certain Terms of Opprobrium’ would be a felicitous title. Perhaps the most notorious manufacturer of such terms was Carlyle, following close in the wake of Goethe; but the late Mr. Arnold ran him very hard, inventing many catchwords and nicknames which have passed into the current vocabulary of journalism. For example, everyone who did not agree with Mr. Arnold, or who called a spade a spade, was a ‘Philistine,’ and everyone who emulated him in the suppression of vitality possessed ‘sweetness and light.’ ‘Anthropomorphism’ is another epithet much in vogue with those writers who dislike the idea of a personal God; it was invented for us, I fancy, by Professor Tyndall. Well, an epithet, be it opprobrious or complimentary, is to be valued in proportion to its aptness and suitably. Of course, such terms are coarse and trivial enough, and need 228 abundant qualification. Most living writers have at one time and another, when uttering some disagreeable truth, been called ‘Philistines.’ Some of them, too, have been called ‘Provincial’ a term which has its antithesis in the other magnificent term ‘Cockney,’ invented by Professor Wilson, but applied with singular ineptitude to the school of Keats and Leigh Hunt. In the present article I purpose to appropriate this term, and for the first time, I believe, to apply it properly. For, as I have suggested, a term or a nickname, to possess any force and durability, must be felicitous. When Mr. Andrew Lang, in view of certain expressions in a recent article, calls me ‘provincial,’ the epithet has meaning. I am very provincial, as I purpose to show, while showing, at the same time, that Mr. Andrew Lang, though Scottish by birth, is a Cockney of Cockneys. —* On the other side of the Channel it is still the highest possible compliment to call a man or an author ‘a true Parisian of the Parisians.’ Admiration even went so far as to apply the compliment to Balzac and (mirabile dictu!) Victor Hugo. But though Hugo himself said that Paris was France, and France was the centre of the Universe, every line he wrote under inspiration rebuked the absurdity. We are learning just now what to be a ‘true Parisian’ means in literature; it means simply to be a boulevardier. A similar lesson is being taught us, here in England, as to the true meaning of the word ‘Cockney,’ though Cockneydom, of course, works by stealth towards imperialization, instead of vaunting it grandiloquently.— 232 true Londoner, like your true American, is cosmopolitan; he is fortunately very numerous, and may still be found writing books, painting pictures, editing newspapers. In many cases, indeed, he is merely a transplanted provincial; in journalism, especially, the strength, the vigour and intellectual capacity is constantly supplied from the provinces; and because journalists are for the most part not Cockneys, but liberal men of the world, some of our criticism is broad, generous and fair. Cockneydom is to Cosmopolitanism what the Gironde was to Jacobinism. Its philosophy is epicurean, its humour is persiflage, its poetry is vers de société, and its wisdom is the wisdom of the clubs. Within its own little sphere it is triumphant, because it suits well the temperament of men thoughtless by disposition and busy in occupation.It has its libraries, its theatres, its journals. It exchanges for a provincial worship of Truth and Beauty, a lightsome admiration for the pretty, the elegant, the comme il faut. It quite objects to take life seriously. It regards Thought itself as an almost disturbing influence. It occupies itself with the manners of accomplished men and nuances of well-dressed women. A glorified Cockney is a sort of literary or artistic ‘Buck’ of the period, exhibiting himself in the salon or the club, showing to ordinary people the pink of literary manners, and accepting with easy complacence life as it really is, in London clubs. He has seen the 233 sea at Scarborough and Margate, and he has seen the mountains from the door of an hotel in Switzerland. As the degenerate Roman copied the elegancies of moribund Greece, the Cockney frequently apes the affectations of honeycombed France. He has the light literature of Paris at his fingers’ ends. ‘Dear Lord, the very houses seem asleep, That Mighty Heart! which sends no pulsation whatever through the veins of the contingent poetaster. Why, it required even a poor Glasgow poet, whom the Cockneys first welcomed and then stoned and killed, to produce even the fine lines—describing London as: ‘The terrible City, whose neglect is Death, That Mighty Heart! The Terrible City! How felicitous, and yet how provincial! No Cockney has ever yet expressed in literature the mystery and the awfulness of this London in the shallows of which he sports. A fine old Cockney once attempted it, and was told by his friends that he was a great poet; and indeed if all Cockneys were like that honest, purblind, pertinacious, prosaist, Samuel Johnson, how we should adore the breed! But in those days a Cockney had not discovered that ‘there is no God,’ and that Life means comfortableness and prettiness. He had 236 only begun by discovering that the world is Fleet Street, and that it is merry to hear the chimes at midnight. The rest has followed in the usual way of Evolution. —* When I went to America my very first inquiry was concerning the author of ‘Typee,’ ‘Omoo,’ and ‘The White Whale.’ There was some slight evidence that he was ‘alive,’ and I heard from Mr. E. C. Stedman, who seemed much astonished at my interest in the subject, that Melville was dwelling ‘somewhere in New York,’ having resolved, on account of the public neglect of his works, never to write another line. Conceive this Titan silenced, and the bookstalls flooded with the illustrated magazines. — 240 these, in reality, they pay no serious attention. Omnivorous readers, they devour everything; free cosmopolitans, they accept in a friendly way even Cockney missionaries; but as the future masters of the world, they are certain never to be annexed en masse. Nearer home, at Paris, imperial Cockneydom is likely to be more successful. Very busy there has been the good Apostle, James, and we find the Cockneys of Paris dedicating books to him and writing articles about Cockneydom in the Revue des Deux Mondes. My acquaintance with the missionary reports of the new religion is not intimate enough to enable me to say whether any Cockneys have been converted in Tasmania or New South Wales; but I met a Parsee the other day who confided to me his belief that all religions except Epicureanism were equally nonsensical, and that the greatest of English poets was Mr. Austin Dobson.* —* Here followed in the original article a description of Mr. Lang’s lecturing visit to Scotland, in which, by following certain newspaper reports and comments, I appear to have exaggerated or mistaken Mr. Lang’s utterances. I therefore suppress the passage. — 241 (in House of Commons fashion) ‘naming’ particular offenders. He knows—no man knows better—that the covert sneer, the lifted shoulder, the smug innuendo, the depreciating smile, are far more à la mode than plain speaking and rushing into print. The former, however, has never been my method of warfare; I leave it to the cheery pessimists, and the prophets of modern Nepotism. I call a spade a spade with the Philistines, and a Cockney a Cockney with the provincials. For Mr. Andrew Lang personally I have no little respect. He is a gentleman and a scholar, and in certain moments, when he forgets his newspaper and his club, a poet. I have still ringing in my ears certain lines of his about the ‘Iliad’ and the ‘Odyssey’—lines full of the swing of the early periods of literature. Yet I am going to arraign him on the very score of his natural abilities and literary gifts. ‘Sir,’ I say to him, after the manner of a certain famous justice of the peace, ‘you are clever, well-educated, able-bodied, intellectual, instead of which you go about disguised as a Cockney.’ I blame him not, as others have blamed him, for now and then showing the courage of his opinions. I am with him even when he vindicates the ‘imagination’ of Mr. Rider Haggard, and holds that one gleam of creative power atones for a host of small technical imperfections. Never, in my wildest moments, should I condemn him for his occasional courage. My charge against him, 242 of course, would rather convict him of constitutional literary cowardice, of chronic anxiety to keep out of brawls and take things ‘easy,’ of urbane freedom from anything like real enthusiasm—in a word, of a desire, at the hazard of all disingenuous suppressions, to ‘get comfortably along.’ Even now, I apologize with all my heart for disturbing him in his pet studies of linguistic ‘origins’ and the manners of primeval Man. But he is a journalist as well as a scholar, a clubman as well as a student, and in a moment of distraction he has put on his ‘war-paint’ and fingered his tomahawk. ‘Is this a free fight?’ asked the pugnacious American. Quite free; and it is indeed a pleasure to find that Mr. Andrew Lang, not content with indulging in cynical ‘asides’ in the Daily News and elsewhere, has stepped out, armed at all points, to join the fray. He, above all men, was the one we of the opposite faction wished to meet. To attack him without some personal provocation, I, for one, had hardly the heart, for despite his literary offences he has often been kindly to a fault. Now that he himself has voluntarily come forward, there can be no harm (and I am sure there will be no bitterness) in touching on certain matters in which he has urgent personal concern. —* Of course I said nothing of the kind.— 245 striking character in the book, viz., the blind man, out of the pages of ‘Barnaby Rudge.’ For the rest, ‘Treasure Island,’ excellent as it is, is a story of ‘reminiscences’ of better stories; at its best, it is worthy (though that, indeed, is no little honour) of Mr. R. N. Ballantyne; but work so trivial can never justify the serious language used concerning it by nepotic criticism. The ‘Child’s Garland of Verse‘ is another matter; as poor and made-up a matter, from any child’s point of view, as one can well conceive; and yet it has been treated as the work of a poet. The late James Thomson, who died miserable and neglected only a little while ago in the casual ward of a London hospital, and who wrote poetry which will live, would never have died, perhaps, so miserably, if he had received one modicum of the encouragement vouchsafed to Mr. Stevenson. Mr. Lang goes on to say that the value of my criticism may be estimated by my casual references to writers of another age, and of more settled reputation. I call Théophile Gautier ‘insufferable’—Théophile, ‘the joy of youth.’ Heaven help the youth of whom this extraordinary stylist, who treats the flesh like a porkbutcher, and makes love like a cony of the burrows, is to be the joy! Since Mr. Lang has faith in the ‘golden book of spirit and sense, the Holy Writ of Beauty,’ I leave him to his religion. Again, I have said that Zola is a dullard au fond; and so I hold him to be in spite of all his genius (which I was among 246 the very first to praise), and so I hold every man to be who believes, au fond, that baseness and bestiality predominate in human life and character. I called this pessimism ‘dulness,’ and sought no harsher term. —* See the Fortnightly Review.— 253 with my main contention. As usual, also, the subject had to be expurgated of all objectionable matter; for I had touched on what is known as the Great Social Evil, asserting that its existence was the shame of civilization. The remedy I suggested was a higher standard of purity on the part of men—a remedy which every Cockney regarded with supreme derision. I took the sentimental view—the provincial view—which still regards ‘seduction’ as the great factor of public immorality, and I proclaimed my sympathy with the martyred class.At this point I had to join issue with Mrs. Lynn Linton, a lady who is intellectually an honour to her sex, but who has unfortunately sided with those who are sceptical as to the powers of womanhood. Mrs. Linton dubbed me roundly a ‘sentimentalist,’ and scouted the idea that women were to be ‘coddled’ and persuaded that they were superior beings. But my fair antagonist, like the rest, entirely lost sight of the premisses on which my argument had started—viz., that the true cause of feminine deterioration was masculine corruption, and that the real cause of masculine corruption was the omnipresent want of faith in spiritual, or in other words religious, ideals. I contended, moreover, and I again contend, that a man has no right to set up for a woman any personal standard of thought or conduct by which he is unable or unwilling to measure himself. If women are to be pure, I said, let men be pure too. I did not mean 254 by purity the negation of human passion. Unfortunately, in the artificial atmosphere of Cockneydom any man who professes to be a logician is liable to be set down as a Puritan—even a ‘prig’; and so I, who never had any virtue to speak of, who profess no particular personal piety, was taunted with being a virtuous and a pious person—a taunt which, if it had been applicable, would certainly have been complimentary. All I held was that men who are notoriously impure themselves have no right to persecute the individuals who minister to their impurity; that the man whose life is (as Goethe said of his walk) a series of falls, has no right to despise the woman whom he drags down with him. And yet, as everyone is aware, all the onus mali falls on the weaker sex—falls more especially on her whom I designated, after a Divine Ideal, the Magdalen. With curious want of logic, Mrs. Lynn Linton identified my Magdalen with the depraved, drunken, besotted creature of the streets and the gin-shops, battered by misery out of all human likeness; whereas the true Magdalen is the woman who, in spite of all physical degradation, brings her penitence, the spikenard and myrrh of her spiritual yearning, to the feet of a Redeemer. The modern pessimist contends that this Magdalen is an impossibility—that the true original is even as himself, evil because evil is of the very essence of her nature; and Mrs. Lynn Linton, a pure woman, a good woman, and a woman (I am sure) who is 255 generous and loving to a fault, sides herself, I am grieved to say, with the modern pessimist. —* I was delighted to note that Mr. Pinero, in a recent play, ‘The Profligate,’ upheld this view, but unfortunately he conciliated the Cockneys by his catastrophe, and made the pure woman, as usual, give her profligate a clean bill of domestic health. Reverse the positions, and how criticism would protest! Yet I cannot understand for the life of me how any average man can dare to pronounce judgment on any woman, however fallen.— 256 measures herself against man, and demands from him equal rights and equal privileges! My own experience is that intellectual culture, so far from making women hard and rectangular, almost invariably deepens their insight and makes them more spiritual. If it occasionally renders them ‘masculine,’ it only does in the inverse ratio what it does to some men, by rendering them, in the bad sense, feminine. Intellectual culture, whether in man or woman, is the poorest and meanest of all accomplishments when it is not coincident with spiritual development. What is called culture is often only another word for narrow- mindedness, for dilettantism. If a human being does not become better and wiser through what he or she knows, the knowledge is practically worthless. Supernatural cleverness did not create in Goethe the enthusiasm of Humanity, but it created it in Schiller and Richter, who were infinitely less ‘clever,’ infinitely less ‘knowing.’
[Note: ‘Imperial Cockneydom’ was originally published in The Universal Review of May, 1889, and as well as the suppression of the Andrew Lang passage (mentioned in the later reprint) there were several other major changes which prompted me to add the original here.] _____ 259 IS THE MARRIAGE CONTRACT ETERNAL? _____ 261
IS THE MARRIAGE CONTRACT ETERNAL?
To the Editor of the ‘Daily Telegraph.’ SIR, ‘Two souls with but a single thought, Unfortunately, however, the miracle, if it happens at all, only happens once in a life-time, and after, in the majority of cases, many episodes of dishallucination. Are we to be told, in the face of experience, of reason, of knowledge in ourselves and around us, that, because a man or a woman has blindly signed one contract, has reached out loving arms and clasped only corruption, has awakened from a dream of Heaven to the realizations of an Inferno, that he or she is to be precluded for ever from that moral redemption which Love alone can give? Through the imperfection of even our present civilization many individuals commit in lawful marriage an innocent and pitiful adultery. Is the sin so committed, by those who in thought are sinless, to be ratified, to be eternalized and christened ‘holy,’ by any so-called Law of God, by any belated Spectres 266 of the Apostles? Is eternal solitude, eternal isolation from all that makes life beautiful, eternal misery and shame, to be the portion of the creature who has been blinded, who has been hoodwinked, who has been charmed by Circe, poisoned treacherously by the Siren, polluted shamefully by the Satyr? If Christianity had taught this, it would have long ago been cold and dead as the stones of the Sepulchre. It has not taught, and it does not teach it. At its highest point of aspiration it embraces and uplifts, instead of corrupting, misleading, and destroying, poor human nature. It teaches us that the one Divine thing in Humanity is Love. It convinces us that when Love attains its apogee, it is not when stooping to sign a contract, but when soaring to an apotheosis. ROBERT BUCHANAN. 269 To the Editor of the ‘Daily Telegraph.’ SIR, ‘ “Oh, naughty, naughty world!” she cries; She is, doubtless, one of those purely beautiful creatures who have made men what they are. Talking the other day with a friend of fair intelligence, I was assured by him that Man, being an intellectual being, was independent of the moral restrictions incumbent on Woman, who is not intellectual. Men of genius more particularly, my friend averred, were to be allowed to do exactly as they pleased. The question of the relative intelligence of men and women is too long to be discussed here; but in a remarkable work recently published—Dr. Campbell’s book on the ‘Causation of Disease’—the evidence will be found fairly weighed. I should say myself, from the little I have observed, that the average man is in no respect superior intellectually to the average woman, while the names of Mary Somerville, of Georges Sand, of Mrs. Browning, and of many others, are sufficient to establish that women of genius are tall and strong enough to stand beside men of genius now and for ever. But Genius—so called—is to me a very unknown 274 quantity. I deny that it has any privileges whatever, or that it can make any laws for itself outside the laws of love and sympathy by which the highest and the lowest live. So far as this very question of Marriage is concerned, our men and women of genius have often got into very serious trouble—not, I think, because they have erred in their interpretations of its sanctions, but because they have generally, in the face of public opinion, overlooked the contract and searched everywhere for the sacrament. Nothing proved so completely the necessity of a Science of human Sentiment, as opposed to the still lingering dogmas of unhuman spirituality, than the conduct of men like Shelley and women like Georges Sand. Twenty-fold intellectual power would not save them from condemnation. Unless Genius is a synonym for Goodness, it is a sham and a phantom; and Goodness, the Soul of human sentiment, believes that no intellectual power whatever can justify the shameless profanation of any one human function, the cruel rending asunder of any one human tie. ‘O, lyric Love, half angel and half bird, Thus, for the instruction and beatification of humanity, the supremely great remained the —* Written just after Browning’s death.— 279 supremely good, and in his great song his great goodness, completed in a transfiguration of Love and Death, eternally survives. It is better, perhaps, even in these days of unbelief, to listen to the song of the poet than to the purr of the contented Matron, who looks cheerfully forward to the inevitable moment of saying, ‘Good-bye, old fellow; we’ve got along very comfortably on the whole, and we part on the best of terms.’ Poor little Matron!Does she really live, or is she only a male cynic masquerading in a petticoat? If she lives, I see no reason why she should not be very happy. The legal contract was made for her, and suits her admirably. I see no reason, moreover, why she should not, if occasion offers, renew it just as often as she pleases. The Sacrament of Love is another thing. ROBERT BUCHANAN.
MR. GLADSTONE’S ECCLESIASTICAL ESSAYS.* Essay-writing appears to be a lost art, or at least an art in which few people now take any interest, except those scattered individuals to whom the Quarterly and Edinburgh and other old-fashioned reviews still form an inspiration. Instead —* ‘Gleanings of Past Years, 1851—1875,’ by the Right Hon. W. E. Gladstone, M.P. Ecclesiastical, vols. v. and vi. London: Murray.— 280 of the essay proper, with its air of superhuman insight, its rapid generalizations, its bold survey of its subject as of mankind ‘from China to Peru,’ we get now the fragments of Experts, on whom there sits that priggish profession of infallibility which is even more irritating, sometimes, than the once popular assumption of omniscience. I confess frankly that I miss the old style, of which Johnson was the forerunner, and Macaulay the supreme and imperial outcome. It was royal in its massive impudence, splendid in its glorious marshallings of fact and fiction, viewy, broad, blatant, and very entertaining. Now, the new style, whatever its other merits, is not so entertaining. It is far too correct, microscopic, technical, and neglectful of what we may call the grand manner of English prose. Your old-fashioned essayist might be, and generally was, a humbug, knowing little of details, smelling the paper-knife when he was dealing with a book, scornful of truth when he was dealing with things and men; but what ground he managed to cover! how fine was his verisimilitude! how well oiled his periods! how fluent his general eloquence! how brilliant his particular flourishes of rhetoric! how bright his occasional flashes of wit! Add to this, that he did his best to make his essay exhaustive of the subject. When Macaulay had done with Johnson and Boswell, the topic was squeezed dry; there was no necessity even to go back to Boswell’s 281 life. The reader, omniscient like the critic, knew all about it! When Jeffrey had disposed of Wordsworth, Wordsworth was sentenced; the reader knew all about him, and there was an end. When so much knowledge could be gained at secondhand, it was quite unnecessary to go to the fountain-heads. Of course it was all very stupid, very blatant, and very unjust; but on the other hand it was so thoroughly judicial! Nowadays we get only little bits of literary special pleadings, instead of grand, swinging, overpowering summings-up. _____
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