ROBERT WILLIAMS BUCHANAN (1841 - 1901) |
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{A Selection of Poems}
’Twas the body of Judas Iscariot Black was the earth by night, ’Twas the body of Judas Iscariot The breath of the World came and went Then the soul of Judas Iscariot ‘I will bury deep beneath the soil, ‘The stones of the field are sharp as steel, ’Twas the soul of Judas Iscariot, And as he bare it from the field As the soul of Judas Iscariot Half he walk’d, and half he seemed The first place that he came unto The next place that he came unto He drew the body on his back, A Cross upon the windy hill, And on the middle cross-bar sat And underneath the middle Cross The fourth place that he came unto He dared not fling the body in ’Twas the soul of Judas Iscariot For days and nights he wandered on For days and nights he wandered on, ’Twas the soul of Judas Iscariot He wandered east, he wandered west, For months and years, in grief and tears, A far-off light across the waste, ’Twas the soul of Judas Iscariot For days and nights he wandered on, ’Twas the soul of Judas Iscariot, And the wold was white with snow, And the icicles were on the eaves, The shadows of the wedding guests The body of Judas Iscariot To and fro, and up and down, ’Twas the Bridegroom sat at the table-head, ’Twas one look’d from the lighted hall, The Bridegroom in his robe of white ’Twas one looked from the lighted hall, ’Twas the soul of Judas Iscariot The Bridegroom stood in the open door, The Bridegroom shaded his eyes and look’d, ’Twas the soul of Judas Iscariot ’Twas the wedding guests cried out within, The Bridegroom stood in the open door, And of every flake of falling snow, ’Twas the body of Judas Iscariot ’Twas the Bridegroom stood at the open door, ‘The Holy Supper is spread within, The supper wine is poured at last,
[Notes: On Good Friday, 25th March 2005, BBC Radio 4 broadcast a programme about Judas Iscariot entitled ‘The Wickedest Man’: “In The Wickedest Man, Janet Robson traces the way the image and “idea” of Judas has been exploited and manipulated down the centuries for social and religious reasons, and asks whether he has been unfairly maligned.” Although the programme concentrated mainly on the changing image of Judas in the visual arts, it concluded with a reading of the final stanzas of Robert Buchanan’s poem by Andrew Sachs (stanzas 35, 42, 44-49).] _____
I. ‘The lights o’ Leith! the lights o’ Leith!’ ‘The lights o’ Leith! the lights o’ Leith!’ As the ship ran in thro’ the surging spray ‘’Tis sure a feast in the town o’ Leith ‘In right good time we are home once more But the mate replied, while he shoreward gazed ‘’Tis twenty lang year since I first left here, ‘My mither she prayed me no’ to gang, ‘I stole awa’ in the mirk o’ night ‘Aye, twenty lang year hae past sin’ syne, ‘When back I cam’ frae the salt sea faem ‘And twice sin’ syne hae I left the sea ‘Then, cast awa’ in a soothern land, ‘But noo that my wandering days are done, ‘I hae gowden rings for my mither’s hand, ‘And I lang, and lang, to seek ance mair ‘To dress her oot like a leddy grand, ‘And to say “O mither, I’m hame, I’m hame! O bright and red shone the lights of Leith ‘But noo I look on the lights o’ hame ‘For her een were dim when I sail’d awa’, ‘Sae I daurna enter the toon o’ Leith, ‘But ye’ll let them row me to yonner shore ‘If I see a light thro’ the mirk o’ night, ‘The face sae dear that for mony a year ‘Then I’ll enter in wi’ silent feet, ‘And I’ll cry, “O mither, I’m here, I’m here!
II. They row’d him to the lonely shore He saw no light thro’ the mirk of night, Half-way he paused, for the blast blew keen, The lights of Leith! the lights of Leith! When close he came to the lonely cot, Thro’ the doorway dark did the bleak wind blow, ‘O mither, mither!’ he moan’d aloud, He stood on the hearth, while the snow swam drear On his eager ears, as he stood in tears, Like a black, black ghost the shape came near ‘Come hither, come hither, whae’er ye be,’ ‘O Robin, Robin,’ a voice cried sobbing, ‘O Robin, Robin,’ again she cried, Wailing she sank on the snow-heap’d hearth, The lights of Leith! the lights of Leith! ‘O Janet, Janet, kind cousin Janet, Wailing she lifted her weeping face, But he grasp’d her arm with a grip of steel But he pressed her more, and he pleaded sore,
III. ‘O Robin dear, when ye sail’d awa’, ‘But after a while she forced a smile— ‘“The Lord is guid, and Robin my son ‘O Robin, Robin, baith late and air’ The lights of Leith! the lights of Leith! ‘But, Robin, your mither was auld and pair, ‘And here in the hut beside the sea, ‘She leeved on a handfu’ o’ barley meal, ‘In twa she was bent, on a staff she leant, ‘And the weans wad thrang as she creepit alang, ‘Ah, mony’s the time up the hill she’d climb, ‘Then wi’ feeble feet creeping ben, she’d greet ‘O Robin, Robin, she prayed for him ‘Then whiles . . . when she thought nae folk were near . . . ‘A charm aft tried in the ingleside ‘And the auld black cat at her elbow sat, The lights of Leith! the lights of Leith! ‘O Robin, Robin, I kenna hoo ‘They thought the spell had been wrought in Hell, ‘Then ane whose corn had wither’d ae morn, ‘Noo, Robin, jest then, King Jamie the King ‘The King cam’ to land, and loup’d on the strand, ‘Then the clergy made oot ’twas witchcraft, nae doot, ‘O Robin, dear Robin, hearken nae mair!’ ‘They took her before King Jamie the King, ‘They bade her tell she had wrought the spell ‘O Robin, Robin, the King sat there, The lights of Leith! the lights of Leith! ‘O Robin, Robin . . . they doom’d her to burn . . . . . . She paused with a moan. . . . He had left her alone,
IV. The lights of Leith! the lights of Leith! High up on the quay, blaze the balefires, and see! What madman is he who leaps in where they gleam, He can see the white hair snowing down thro’ the glare,
V. The lights of Leith! the lights of Leith! The lights of Leith! the lights of Leith!
NOTE.—The foundation of this ballad is historical, more particularly the part taken by the enlightened pedant, James VI. of Scotland, who, on his accession to the English throne, procured the infamous statute against witchcraft, which actually remained unrepealed till 1736, and even then was repealed under strong protest from the Scottish clergy! One traveller, as late as 1664, casually notices the fact of having seen nine witches burning together at Leith, and in 1678, nine others were condemned in a single day.— R.B. _____
A TALE OF THE GOLD-SEEKERS.
‘There’s some think Injins pison . . .’ [It was Parson Pete who spoke, Ay, Parson Pete was talking; we called him Parson Pete, Some one had spoke of the Injin folk, and we had a guess, you bet, ‘There’s some think Injins pison, and others count ’em scum, We were seeking gold in the Texan hold, and we’d had a blaze of luck, I was Captain then of the mining men, and I had a precious life, Phil Blood. Well, he was six foot three, with a squint to make you skeer’d, No beauty was he, but a sight to see, all stript to the waist and bare, And being a crusty kind of cuss, the only sport he had, But game to the bone was Phil, I’ll own, and he always fought most fair, But his eddication to his ruination had not been over nice, ‘A sarpent’s hide has pison inside, and an Injin’s heart’s the same, Well, we’d jest struck our bit of luck, and were wild as raving men, Now, the poor old cuss had been good to us, and I knew that he was true,— Food had got low, for we didn’t know the run of the hunting-ground, Well, I took the Panther into camp, and the critter was well content, Nothing would please his contrairy idees! an Injin made him rile! Well, one fine day, we a-resting lay at noon-time by the creek, It was like the gleam of a fairy-dream, and I felt like earth’s first Man, The squirrels red ran overhead, and I saw the lizards creep, Well, back, jest then, came our hunting men, with the Panther at their head, To the waist all bare Phil Blood lay there, with only his knife in his belt, Then before I knew what I should do Phil Blood was on his feet, ‘Run, Panther run!’ cried each mother’s son, and the Panther took the track; Now, the spot of ground where our luck was found was a queerish place, you’ll mark, A pathway led from the beck’s dark bed up to the crags on high, Now all below is thick, you know, with ’cacia, alder, and pine, But right above you, the crags, Lord love you! are bare as this here hand, ‘Come back, you cuss! come back to us! and let the critter be!’ A leap for a deer, not a man, to clear,—and the bloodiest grave below! For breath at the brink! but—a white man shrink, when a red had passed so neat? One scrambling fall, one shriek, one call, from the men that stand and stare,— . . . On the very brink of the fatal chink a ragged shrub there grew, All up? Not quite. Still hanging? Right! But he’d torn away the shrub; Now, boys, look here! for many a year I’ve roam’d in this here land— I held my breath—so nigh to death Phil Blood swung hand and limb, Saved? True for you! By an Injin too!—and the man he meant to kill! What did Phil do? Well, I watched the two, and I saw Phil Blood turn back, Hands in his pockets, eyes downcast, silent, thoughtful, and grim, I reckon they stared when the two appeared! but never a word Phil spoke, And after that day he changed his play, and kept a civiller tongue, _____
At Portsmouth, in a tavern dark, Loud was the talk, and rude the joke, A beggar wight, who hugg’d his rags, In a dark corner of the room ‘James Avery!’ and as he spake On the dead wall the letters great ‘Ay!’ cried a tar, reading aloud, Another cried, ‘Ah, that’s the life ‘And on a throne, in red and gold, ‘They brought him wine in cups of gold, Then spake a third, ‘I sailed with Jem ‘And now it’s long since last I heard ‘He has a fleet of fighting ships, ‘There’s not a corner of the main ‘But let him have his fling; some day All laughed; ‘But not so fast,’ cried one; ‘The pardon’s in the newspapers, All laugh’d again—‘Jem’s wide awake— ‘Leave all his gold and precious stones, Ev’n as they speak, a wretched form They thrust him back with jeer and laugh, Louder they laugh—‘He’s mad! he’s mad!’ But soon he proves his story true ‘Nay, drink!’ they cry; and his lean hands He tells them of his weary days Through some mysterious freak of fate, And all the time James Avery dwelt The wild drink mounted to his brain, Between them, down the narrow street They sat and saw the mimic play, The actor swagger’d on the stage They parted. . . . As the chill white dawn James Avery, the Pirate King! _____
A Selection of Poems - the List
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