ROBERT WILLIAMS BUCHANAN (1841 - 1901) |
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{North Coast and other Poems - Revisions}
‘A Prelude’ was reworked for inclusion in The Book of Orm, published in 1870: Part II, v. 1-2 of ‘A Prelude’ corresponds to The Book of Orm, Section V (‘Songs of Seeking’), Part I, v. 1-2: O thou whose ears incline unto my singing, Even as a meteor-stone from suns afar, Part II, v. 3-10 of ‘A Prelude’ corresponds to The Book of Orm, Section V (‘Songs of Seeking’), Part III (‘The Happy Earth’), v. 1-8: Sweet, sweet it was to sit in leafy Forests, And sweet it was to sail on crystal Waters, And sweet it was to watch the wondrous Lightning I loved all grand and gentle and strange things,— And unto me all seasons utter’d pleasure: And Summer, in her gorgeous loose apparel, Yea, everywhere there stirred a deathless beauty, Yet nought endured, but all the glory faded, Part III, v. 1-4 of ‘A Prelude’ corresponds to The Book of Orm, Section V (‘Songs of Seeking’), Part V (‘World’s Mystery’), v. 1-4: The World was wondrous round me—God’s green World— Yet evermore a trouble did pursue me— I gladdened in the glad things of the World, I saddened in the sad things of the World, Part III, v. 5-8 of ‘A Prelude’ corresponds to The Book of Orm, Section V (‘Songs of Seeking’), Part VI (‘The Cities’), v. 2-5: My trouble grew tenfold when I beheld I saw the good man tear his hair and weep; The silken-natured woman was a bondslave; The gifts of earth are given to the base;
Back to North Coast and other Poems - ‘A Prelude’ _____
'He crept close to Creation’s brim, and heard a roar like water.’
TIMOTHY. Well, here’s the cuckoo come again, after the barley sowing,
JACOB. Ah, him that used to work with Crewe! Crewe told me how he blundered.
TIMOTHY. All trash and stuff and tattle!
JACOB. That’s where it lies! We get no good by asking questions, neighbour:
TIMOTHY. You’re right! No man as grunts and grides at this here world has thriven;
JACOB. But Crewe soon sent him packing too—he’s just the sort of fellow;
TIMOTHY. He got another master, though, but soon began to tire him;
JACOB. With Methodists ’tis just the way. Give me the High Church, neighbour.
TIMOTHY. ‘Why don’t you be a man?’ said they, ‘keep clean and do your labour?’
JACOB. ’Tis clear enough, he’d lost his wit—the chapel set it turning.
TIMOTHY. Now, this is how I look at it, although I’ve got no learning:
[Notes: Back to North Coast and other Poems - ‘An English Eclogue’ _____
(COVENANT PERIOD.)
BAR the door! put out the light, for it gleams across the night, It was down on Drumliemoor, where it slopes upon the shore, How! Sit at home in fear, when God’s Voice was in mine ear, Each mortal of the band brought his weapon in his hand, Oh, solemn, sad, and slow, rose the stern voice of Monroe, But when, with accents calm, Kilmahoe gave out the psalm, ’Twas terrible to hear our cry rise deep and clear, And heark’ning, with clench’d teeth, we could hear, across the heath, Then our battle-shriek arose, mid the cursing of our foes— As we struggled, knowing not whose hand was at our throat, O God! it was a sight that made the hair turn white, Ay, and thicker, thicker, poured the pale Silence of the Lord, Then we beheld at length the troopers in their strength, Oh, shrill and awful rose, ’mid the splashing blood and blows, Then we fled! the darkness grew! ’mid the driving cold we flew, Ah! gathered in one fold be the holy men and bold, On mountain and in vale our women will look pale,
[Note: Back to North Coast and other Poems - ‘The Battle of Drumliemoor’ _____
SKIES are dusky, winds are keen, All is dark across the night, What are those that in the air Falling flakes of snow they seem, Round and round they wind and wind,— Child, wish now! while thou canst see! Once a year, on Hallowe’en, Thus round happy farms they fly, Lad and lass, to-night beware! . . . . . ‘Ah, bairns, my bairns, forbear on Hallow Night '’Ay, please the fays! ’tis easy if ye will; ‘For, though I say it, bairns, my face was fair, ‘Yet oft I tried to picture in my brain . . . . . Round the happy farm they flee,— Near the peat-blaze range in ring; In the great tub duck the head Slyly let each pair by turn Love who never loved before,— Lad and lass, to-night beware! . . . . . ‘O bairns, we gathered round the blazing peat, ‘James West was there, the Laird, and many more, ‘Oh, Hallowe’en in those old times, I vow, ‘There in the chimney shadow, pale and sad, ‘Louder the fiddler, gay with many a glass, ‘But, bairns, ’twas near the hour when ghaists are said . . . . . Lad and lass, to-night beware! Winds are crying shrill, and, hark! Who will dare this Hallow Night Who will dare to stand alone, Who this night is free from fear? . . . . . ‘Dark, dark was all, as shivering and alone ‘O bairns! what would my foolish heart have gi’en ‘Thud, thud against my breast my wild heart leapt, . . . . . Lightly soon shall rise the sun! Fiddler, put your tools away, Lads and lassies, flush’d and red, Maiden, thou hast heard and seen Thou hast wish’d to hear and see— Sad or merry, ill or well, In among the blankets creep— Wake and smile with heart resigned! . . . . . ‘Oh, bitter was my heart, my wits amazed; ‘O bairns!—what further tale have I to tell? ‘Ah! heed not, bairns, though grandfather should swear
[Note: Back to North Coast and other Poems - ‘The Northern Wooing’ _____
‘The Lord on him forgot to put His mark.’
SANDIE. O LORD above, swift is Thy wrath and deep!
JEANIE. Dead? Weel, we all are bound to GOD’S abode,
SANDIE. O Jeanie Gourlay! keep thy clapper still;
JEANIE. Poor man! his strife was sore; but, Sandie, mind,
SANDIE. Oh, blasphemy! Thou fool, forbear and cease!
JEANIE. Where had the parish bairns sae kind a friend?
SANDIE. Bairns? did he teach them grace, and make them mend?
JEANIE. Poor man! poor man! small peace on earth he found.
SANDIE. The day he died, he called the Elders round,
[Note: Back to North Coast and other Poems - ‘A Scottish Eclogue’ _____
‘Celtic Mystics’ was reworked for inclusion in The Book of Orm, published in 1870: Part I of ‘Celtic Mystics’ corresponds to the first part of ‘Songs of Corruption’, the third section of The Book of Orm. Part II of ‘Celtic Mystics’ corresponds to the second part of ‘Songs of Corruption’, the third section of The Book of Orm. Part III of ‘Celtic Mystics’ corresponds to the second part of ‘Songs of Seeking’, the fifth section of The Book of Orm. Part IV of ‘Celtic Mystics’ corresponds to the fourth part of ‘Songs of Seeking’, the fifth section of The Book of Orm. O Spirit of mountains! Part V of ‘Celtic Mystics’ corresponds to the third part of ‘Songs of Corruption’, the third section of The Book of Orm. Part VI of ‘Celtic Mystics’ corresponds to the ninth part of ‘Songs of Seeking’, the fifth section of The Book of Orm. Part VII of ‘Celtic Mystics’ corresponds to the tenth part of ‘Songs of Seeking’, the fifth section of The Book of Orm. Part VIII of ‘Celtic Mystics’ corresponds to the ninth part of ‘The Devil’s Mystics’, the seventh section of The Book of Orm. Part IX of ‘Celtic Mystics’ corresponds to the twelth part of ‘The Devil’s Mystics’, the seventh section of The Book of Orm.
Back to North Coast and other Poems - ‘Celtic Mystics’ _____
North Coast - Revisions continued or back to North Coast and other Poems - Contents
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