ROBERT WILLIAMS BUCHANAN (1841 - 1901) |
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{The Drama of Kings 1871}
110 The cup is overflowing. Pour, pour yet, [note] O Famulus—O Spirit—O good Soul, First, in the centre of the West, I set Thus far. Still farther? Driven to the East, Shall this be so, O Spirit? Pour, O pour— O Famulus—in God’s name keep my soul Pass o’er the wild space of delirium, Well, we have done this service. We have freed O what peevish fools are mortals, Ay,—but the Soul, being weather-wise, can guess Liberty? Have I lull’d him with a Lie? And unto him, Meantime he follows smiling. O Famulus! Yet is this Titan old so weak of wit, The end? Sweet sprite, the end is what I fear— This must not be. No, I must have a child. Fill, fill, my Famulus, the golden cup
SEMI-CHORUS I. Form of her the Titan full of patience
SEMI-CHORUS II. Gentle eyes that shine and seem to love him!
A VOICE. How long, how long? [note]
SEMI-CHORUS I. Courage, great heart and strong,
A VOICE. Whither? How far, how far?
SEMI-CHORUS I. Spirit of the fathomless abysses,
SEMI-CHORUS II. Mark his patience, hear his gentle interceding;
CHORUS. Spirit seen in some long-darken’d being, 131 A VOICE. How long, how long?
SEMI-CHORUS I. Courage, O Titan strong!
A VOICE. Whither?
SECOND VOICE. O hither! [note]
FIRST VOICE. Whither?
SEMI-CHORUS I. Voice of her he follows in dumb pleasure,
SEMI-CHORUS II. O homeless voice, he maddens as he listens,
A VOICE. Whither, O whither?
SECOND VOICE. Hither!
FIRST VOICE. Whither? Wherefore, while I wait in patience, Mountain winds, ye name her name unto me 133 All of these have seen her face and love her, Flowers are sown by her bright foot wherever
CHORUS. Joy of wind and wave and cloud and blossom, 134 FIRST VOICE. None behold her twice, but having conn’d her, All have known her, and yet none possess her; Faster than the prophesying swallow,
SEMI-CHORUS I. O wherefore, radiant one, 135 SECOND VOICE. Here on the heights I stay;
FIRST VOICE. Whither?
SECOND VOICE. O hither!
CHORUS. Form of her the Titan full of patience
END OF THE FIRST PART.
137 [note] THE TITAN.
139
CHORIC INTERLUDE.
CHORUS. STRANGE hands are passed across our eyes, [l.i]
A VOICE. Speak! while the depths of dreams unfold,
SEMI-CHORUS I. ’Tis vision. Lo, before us stands,
SEMI-CHORUS II. Like sparks blown from a forge, the spheres
SEMI-CHORUS I. Is the time come?
SEMI-CHORUS II. The time is come.
CHORUS. Titan, to thy revenge!
SEMI-CHORUS I. O look and listen!
SEMI-CHORUS II. While still nigh him,
CHORUS. Is he doom’d?
A VOICE. He is doom’d.
CHORUS. Oh, by whom?
VOICE. By the child yet unborn in the womb,
CHORUS. Speak his doom! 143 FIRST VOICE. Napoleon! Napoleon! [note]
SECOND VOICE. Who cries?
FIRST VOICE. I, child of the earth and the skies,
SECOND VOICE. Speak! I smile and attend.
FIRST VOICE. Because thou hast with lies and incantations, Because I have wander’d like a great stream flowing 144 Because one further step after thy leading Because thou hast led me blind knee-deep thro’ slaughter, Because thou hast been a liar and blasphemer, 145 Because all voices of the earth and azure, Because thou hast slain Kings, and as a token By her whom thou didst swear under God’s heaven 146 Because thou hast turned upon and violated Since the beginning. By the soul of Patience 147 SEMI-CHORUS I. Is he doom’d?
SEMI-CHORUS II. He is doom’d. ’Tis the end.
FIRST VOICE. Napoleon!
SECOND VOICE. Speak! I attend.
FIRST VOICE. Utter the doom thou dost crave.
SECOND VOICE. ’Tis spoken. A shroud and a grave.
FIRST VOICE. O voices of earth, air, and sky,
VOICES. Death is sleep. Let him wake and not die. 148 FIRST VOICE. Because by thee all comfort hath been taken, This is thy doom. Lone as a star thy being Here on this Isle amid a sea of sorrow The look of these mad elements that ever 149 All shall forget thee. Thou shalt hear the nations A rock in the lone sea shall be thy pillow. Watching the weary waters with heart bleeding; 150 Till like a wave worn out with silent breaking; Tumult of cloud and sea. Feature by feature 151 SEMI-CHORUS I. Is it done?
SEMI-CHORUS II. It is done.
SEMI-CHORUS I. Look again.
SEMI-CHORUS II. I see on the rock in the main
SEMI-CHORUS I. Look again.
SEMI-CHORUS II. Hark, O hark! 152 SEMI-CHORUS I. A shrill cry is piercing the dark—
FIRST VOICE. What is this, O ye free?
SEMI-CHORUS II. He has gone like a wave of the sea—
CHORUS. Strange hands are passed across our eyes, 153 SEMI-CHORUS I. Now bow thy face upon thy breast,
A VOICE. What do ye see that thus to me
SEMI-CHORUS I. ’Tis vision. On that island bare
SEMI-CHORUS II. Yet she
SEMI-CHORUS I. Hark, O hark,
A VOICE. Hither, O hither! [note]
ANOTHER VOICE. Whither?
FIRST VOICE. O sweet is sleep if sleep be deep, Yet he who seeks me shall not find, 155 Yet when, soul-weary of the chase, [l.v] Whatsoever man he be, O free is sleep if sleep be deep!— O royal face and royal head! They doom’d thee in my name, but see 156 He finds me least who loves me best, The sad days fly—the slow years creep, [note] SECOND VOICE. Irene!
[Notes: II. THE AVATAR’S DREAM. (Buonaparte loquitur, at Erfurt.) Alterations in the 1884 edition of The Poetical Works of Robert Buchanan: Page 128: The Chorus section has the following title: III. THE ELEMENTAL QUEST. Alterations in the 1884 edition of The Poetical Works of Robert Buchanan: Page 137: The ‘Choric Interlude’ has the following title: IV. THE ELEMENTAL DOOM. Alterations in the 1884 edition of The Poetical Works of Robert Buchanan: _____
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